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Choclo y Chicha: a zine for (and from) the Andean Diaspora

I’m happy to announce that Resonating is freshly complete! This is a special kind of comment section that allows everyone to share appreciation with the creators of a publication. You can find it at the bottom of every listing!Resonating is a real-life practice used to cultivate deep listening and connection. On AltSalt, the idea is to use this practice to cultivate a welcoming environment encouraging everyone to connect in a way that centers positive exchange.We offer a few example prompts to use when resonating on publications, for example… - I resonated with you when... - I was right there with you when... - I really felt when... - I really appreciated...Every story we receive is a gift. To reciprocate with the receiving of that gift, we can offer storytellers resonance to let them know that we connected with them, that they were hard. Storytellers can then express their gratitude in return!In keeping with the spirit of Resonating, only original commenters and creators can reply to threads to center the act of listeners hearing a story, then offering resonance back, as this is how the practice is done in real life.This is all a large experiment, and I welcome your feedback!You can read more about the practice of resonating by clicking the “What is Resonating?” link at the bottom of every publication.My deepest gratitude to <a href="https://relationaluprising.org" target="_blank">Relational Uprising</a> for devising this framework, and to the <a href="https://ayni.institute" target="_blank">Ayni Institute</a> for sharing it with me, which I’ve have adapted for this platform.Looking forward to reading your resonance!

This is a special kind of comment section that allows everyone to share appreciation with the creators of a publication.

New feature now available: Resonating

First Letter to Art - Human Nature, Technology, and Blown Up Babies

Letter to Art #2 - Egos, Deadlines, The Twisties, and Sandwiches

I was right there with you in your mission statement, about feeling the dual exclusion from both Latinx and U.S. heritages. I've felt that so much growing up as a Peruvian in the United States, and I'm so glad that this organization exists 🙏I resonated so much with Marisol's poem, with the mixture of Spanish and English, and with the connection to your grandfather and thinking about future generations' connection to their heritage.I resonated with Elena's piece, when you spoke about going to Peru and the eagerness to fill a hole made of solitude.I was right there with Analisa in so many parts of her story, riding on the swerving bus with the sheer drop to the ocean, when you met your brother for the first time, and forgetting how to speak in any language.Super appreciate all that the contributors shared during both of your events. Congrats on this publication, looking forward to the next one 🙂

I appreciated every second of reading this and the observations throughout. I really felt The Last Maven's piece about reading the room, and the situational awareness they have in so many situations and how every moment requires so many decisions to be "free." I resonated with the observations from everyone in the interview excerpts, in particular Buddhika Bellana talking about the constraints you're given in life, working within those limitations, and recombining things in interesting ways to learn from them.There were so many moments throughout that I connected with and I really appreciate everyone putting this publication together. Thanks for sharing it!

<a href="/artemiosans" target="_self">@Artemio Morales</a> thank you so much for your poetry of a mesaage! it's an honor to have pieces of myself living on this online community.

<a href="/artemiosans" target="_self">@Artemio Morales</a> Thanks very much, Art! Many, though not all, of the contributions were developed in other contexts as part of the broader Life is a Freestyle project. The Last Maven's piece started as a blog post. Buddhika Bellana's insights were shared in an interview that was done on IG Live. So not only is the zine a collaboration, it's also a gathering from these and other contexts.And, as you may have guessed, the contributors are not mainly zine writers. It's the first experience for most to contribute to a zine. What unites Full Circle is being rappers.

Everyone

United States

Taiwan

China

Canada

Bolivia

Peru

Ecuador

MacOS

Windows

Print

Zine

Game

Poetry

Adventure

Horror

Politics

Visual Art

Essay

Experimental

Perzine

Huancavilca

Kichwa

Aymara

African American

Hip Hop Culture

Second Generation Immigrant

Quechua

Latinx

Andes

Asian American

English

Spanish

A few minutes

Listen to Analisa Freitas' oral history

Itch.io

Portrait of a child with night sky and plants in the background

Poem with pink graphic above and a picture of a mother with a baby.

Text with light blue graphic depicting a sister and brother hugging.

A small machine using a flashlight to repel a tentacled monster

A small machine facing a tentacled creature with option to use "vacuum" and "flashlight" as attacks

A small machine next to a mustached scientist speaking technobabble

A Modern Ghost

Choclo y Chicha Vol. 1

Reflections at Sunset

With work by eleven rappers who are part of Full Circle, the art, poetry, and essays in this zine explore the conceptual metaphor LIFE IS A FREESTYLE.

The Life is a Freestyle Quaranzine

Beanie Hat Prototype

Inspired by Lovecraft and stories of abandoned ships like the St. Mary Celeste,  you play as GWR 3000, an autonomous Rooombra vacuum cleaner.One night aboard a transatlantic vessel, you and your creator are having a relaxing night when an interdimensional portal opens on the ship, killing the whole crew. Now it's up to you to save the world.<ul><li>Fend off intergalactic creatures with your flashlight.</li><li>Engage in an epic RPG final showdown.</li><li>Ponder humanity's coexistence with robots.</li><li>Do it in less than 10 minutes</li></ul>Made with love during the Isolation Game Jam of 2020 hosted on itch.io

Rooombra to the Rescue

Test Publication

Indigenous

First Generation

Andinx

Ancashina

SGI Buddhist

The theme of Choclo y Chicha Vol. 2 is ​family portraits​. Our goal was to inspire our communities to re-explore and revisit their family histories, as demonstrated through pictures, while we sheltered-in-place due to the COVID-19 pandemic. We asked that all submissions include two pictures (one from the past and one from the present) and an accompanying text to draw connections between the two. Folks were invited to submit their pictures and text however they wished, whether as separate pieces or as collages or other works of art. In this section we feature pieces such as excerpts from the incredible oral history of Analisa Freitas and a beautiful poem by Marisol Silva, “when I make chicha morada and play your huaynos full blast, and I carry a backpack on the 7 train from Queens to Brooklyn brimming with jars of aji panca, aji amarillos, rocotos, I hold onto Ayni when I can’t remember words in any language, I hold onto Ayni, when I remember that who we are as a people is much too strong to ever be forgotten,” she writes. Additionally, inspired by our colectivo member Jamie San Andres’ call to action, we are excited to introduce a new section to our zine entitled ​Andean Political Reflections.​ When we first started dreaming up our zine series, we had no idea the state of the world we would be in. Since November 2019, we have seen unbearable violence and injustice across our diaspora, from the protests, uprisings, and government repression in Ecuador, Chile, Bolivia, the U.S., and most recently, Peru, we know that it is important now more than ever to continue building spaces for solidarity, dialogue and discussion. Those of us Andeans living in the belly of the beast must find it our moral duty to take a stand in solidarity. This position is a principle that has guided our work since the beginning, and it is impossible to do cultural work without addressing the political. Hence, this section will be a space for community dialogue with our friends, compañerxs, partner organizations, and others to share their perspectives and reflections on important political and historical moments in the Andean diaspora. &nbsp;

Choclo y Chicha Vol. 2

Free

Resonate

SoftwareApplication

Website

itch.io

Twitter

Portfolio Website

Sound Cloud

Instagram

Facebook

I'm a software developer, director of Artmayu Studios, and founder of AltSalt.I love the digital and literary worlds, especially exploring new kinds of digital literature, from experimental multimedia books to narrative adventure games.Currently, I'm in the process of learning more about my Andean background, and thinking through how to bridge that heritage with the world of technology.

The Andean diaspora* community in the United States is confronted with discrimination and a sense of dual exclusion from both Latinx and white US heritages due to histories of colonialism and imperialism that continue to impose Western epistemologies across time and borders. Rima(y) Raíz, an Andean diaspora collective based in NYC, NJ, IL and CA, confronts these issues by documenting and sharing inter-generational oral hxstories of the Andean diaspora in efforts to reclaim a sense of identity, alter dominant narratives about their communities, preserve experiences and knowledge of their elders for the next generation, and create a sense of solidarity. &nbsp;We are inspired by Andean notions of time, space, and community such as pachakutik and the ayllu and we choose oral hxstory as a medium due to its inter-disciplinary, borderless nature. Oral hxstory also acts as a way to decolonize the production of knowledge. The main components of the project are (1) interview three generations across the US-Andean diaspora, including community leaders (2) archive the oral histories in a public website, (3) share and discuss the stories via a podcast, zine, public space installations, and virtual Raymi or parties, and (4) organize gatherings of Andean organizations and leaders to celebrate and unite cultural advocacy efforts.Coloniality may have traversed time and space, but so has our resistance.*The Andean diasporic community includes people with South American heritage from Andean countries such as Bolivia, Ecuador, and Peru. Hence, Rimay Raiz utilizes the term Andean to refer to this region of South America, as opposed to folks that are strictly from the highlands. We remain inclusive of the many nationalities in the Andean region, and recognize that people that may identify with diverse backgrounds, such as that of the coast and the Amazon, Black, Indigenous, mestizo, and we welcome all people who identify with our mission and background, whether they are recent immigrants, second generation, or have not connected to their ancestral countries for generations.

I am gardener and composter passionate about equity in the food system. Quinoa scholar and oral history and community archive enthusiast. Runasimita yachapakuq. Member of the Rimay Raiz colectivo.&nbsp;

Ecuadorian-American sociologist, of Huancavilca and Kichwa descent. Bi-coastal, born in Queens, NY and raised in both NY and CA. Musician, community activist, project coordinator at an immigrant and workers rights org, and co-founder of Rimay Raiz.&nbsp;

I am a triple fire sign, Catholic and a feminista. My family is Peruana, my parents immigrated to the U.S. and I was raised in Central Florida. I write poetry on Mami_soy_emo on Instagram about growing up in the between of Peruvian and American culture, therapy , sisterhood, empath struggles, and my ongoing haphazarduous love life. I am inspired by my Mamá, sunsets, pollo a la brasa con papas, and humanity's ability to heal. I am also an immigration attorney who works with survivors of gender-based violence, a plant mom to 17 plants, and a mediocre ukelele player. I am currently working on a zine about my therapy journey.&nbsp;

I am an Indigenous Adoptee from Peru. I've grown up in Brooklyn, NY and I've gone back to Peru several times to reconnect with my biological family.&nbsp;

Bridging the worlds of the West and Andes through storytelling...Artmayu is a digital book production studio, and the studio behind AltSalt!Our name comes from Artemis, the Greek goddess of the moon, and Mayu, the celestial river from Andean cosmology.In addition to maintaining the AltSalt website, we make animated ebooks, games, and other creative digital projects.

Shirley identifies as a queer, asian-american woman of color. She works as a community organizer in Northern Colorado and as a yoga teacher. When not being self-referential in a bio, you can find her painting watercolors, biking around town, dancing, or reading a book.

Hi, I'm Charles H. Huang, game designer, narrative designer, game programmer.Also I have a lot of values and ideas and things I wanna do and dumb ideas, and it's hard when they conflict, but I remind myself I'm a person from circumstances, so I try not to be too hard on myself.I'm Founder of Unparty; Co-Founder of Friendship Garden - a nonprofit for underrepresented game developers.&nbsp;I'm a current MFA Candidate at NYU Game Center and an Adjunct Professor at Hostos Community College.

Imanalla! I'm Sandy, a zinester librarian in sunny southern California. I started making zines as a way to practice and maintain Quechua, my ancestral language and one of the most widely spoken Indigenous languages of the Americas. I now feel like I have too many zine ideas and too little time, but I try to make it work!&nbsp;I participate in several Andinx community projects like the annual May Sumak Quichwa Film Showcase and oral history collective Rimay Raíz. I love creating spaces for our community to share our cultures, languages, and experiences in the diaspora.&nbsp;In my spare time, I enjoy reading/watching things in the realms of sci-fi, fantasy, or horror. I also like to weave and garden (especially with, you guessed it, Andean potatoes!).&nbsp;

Envisioning an alternative world

Stephanie Barreto-Lastra

@sbarretolastra

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