Letter to Art #3 - Young People, Unmoored Asian Americans, and Doing Good

Envisioning the Future

Letter to Art #4 - Ukraine, Trans Rights, and Doomscrolling (March 2022)

Choclo y Chicha: a zine for (and from) the Andean Diaspora

Alternative Worlds: The Andes and Asian America

Mundos Alternatives: Los Andes y América Asiatica

The Birth of Andean Futurism

Alternative Worlds Workshop Weekend Schedule

(Interview)

First Letter to Art - Human Nature, Technology, and Blown Up Babies

Letter to Art #2 - Egos, Deadlines, The Twisties, and Sandwiches

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China

Peru

Andinx

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Indigenous

Quechua

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Choclo y Chicha Vol. 1

Reflections at Sunset

See Sandy

Quechualish: An Indigenous Language Zine

Mosqhoq (Dreamer/Soñadora)

Cultural Correspondence

Test Publication

Choclo y Chicha Vol. 2

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Quwicha Zines

I'm a software developer, director of Artmayu Studios, and founder of AltSalt.I love the digital and literary worlds, especially exploring new kinds of digital literature, from experimental multimedia books to narrative adventure games.Currently, I'm in the process of learning more about my Andean background, and thinking through how to bridge that heritage with the world of technology.

The Andean diaspora* community in the United States is confronted with discrimination and a sense of dual exclusion from both Latinx and white US heritages due to histories of colonialism and imperialism that continue to impose Western epistemologies across time and borders. Rima(y) Raíz, an Andean diaspora collective based in NYC, NJ, IL and CA, confronts these issues by documenting and sharing inter-generational oral hxstories of the Andean diaspora in efforts to reclaim a sense of identity, alter dominant narratives about their communities, preserve experiences and knowledge of their elders for the next generation, and create a sense of solidarity. &nbsp;We are inspired by Andean notions of time, space, and community such as pachakutik and the ayllu and we choose oral hxstory as a medium due to its inter-disciplinary, borderless nature. Oral hxstory also acts as a way to decolonize the production of knowledge. The main components of the project are (1) interview three generations across the US-Andean diaspora, including community leaders (2) archive the oral histories in a public website, (3) share and discuss the stories via a podcast, zine, public space installations, and virtual Raymi or parties, and (4) organize gatherings of Andean organizations and leaders to celebrate and unite cultural advocacy efforts.Coloniality may have traversed time and space, but so has our resistance.*The Andean diasporic community includes people with South American heritage from Andean countries such as Bolivia, Ecuador, and Peru. Hence, Rimay Raiz utilizes the term Andean to refer to this region of South America, as opposed to folks that are strictly from the highlands. We remain inclusive of the many nationalities in the Andean region, and recognize that people that may identify with diverse backgrounds, such as that of the coast and the Amazon, Black, Indigenous, mestizo, and we welcome all people who identify with our mission and background, whether they are recent immigrants, second generation, or have not connected to their ancestral countries for generations.

I am gardener and composter passionate about equity in the food system. Quinoa scholar and oral history and community archive enthusiast. Runasimita yachapakuq. Member of the Rimay Raiz colectivo.&nbsp;

Ecuadorian-American sociologist, of Huancavilca and Kichwa descent. Bi-coastal, born in Queens, NY and raised in both NY and CA. Musician, community activist, project coordinator at an immigrant and workers rights org, and co-founder of Rimay Raiz.&nbsp;

Editorial content by the AltSalt team.

Shirley identifies as a queer, asian-american woman of color. She works as a community organizer in Northern Colorado and as a yoga teacher. When not being self-referential in a bio, you can find her painting watercolors, biking around town, dancing, or reading a book.

Hi, I'm Charles H. Huang, game designer, narrative designer, game programmer.Also I have a lot of values and ideas and things I wanna do and dumb ideas, and it's hard when they conflict, but I remind myself I'm a person from circumstances, so I try not to be too hard on myself.I'm Founder of Unparty; Co-Founder of Friendship Garden - a nonprofit for underrepresented game developers.&nbsp;I'm a current MFA Candidate at NYU Game Center and an Adjunct Professor at Hostos Community College.

Imanalla! I'm Sandy, a zinester librarian in sunny southern California. I started making zines as a way to practice and maintain Quechua, my ancestral language and one of the most widely spoken Indigenous languages of the Americas. I now feel like I have too many zine ideas and too little time, but I try to make it work!&nbsp;I participate in several Andinx community projects like the annual May Sumak Quichwa Film Showcase and oral history collective Rimay Raíz. I love creating spaces for our community to share our cultures, languages, and experiences in the diaspora.&nbsp;In my spare time, I enjoy reading/watching things in the realms of sci-fi, fantasy, or horror. I also like to weave and garden (especially with, you guessed it, Andean potatoes!).&nbsp;

Writing, scriptwriting, andean ethnofuturism, nueva trova, improvised music, folk music, non white centric SciFi, decolonization and decolonising art

I'm a writer and cartographer. I mostly write scif/fantasy and have worked on some table top rpg projects such as the in*die zine and unbreakable rpg. I manage the integral states project, where I draw US states and territories as fantasy maps and pair them with pre-colonial histories.&nbsp;

Envisioning an alternative world

Charles Huang

Game Designer

@muditaheart

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Letter to Art #3 - Young People, Unmoored Asian Americans, and Doing Good

Letter to Art #2 - Egos, Deadlines, The Twisties, and Sandwiches

First Letter to Art - Human Nature, Technology, and Blown Up Babies

Letter to Art #4 - Ukraine, Trans Rights, and Doomscrolling (March 2022)